Doing Good | Bezalel-led Emergency Initiatives
עושים/ות משהו טוב | יוזמות בשעת חירום
أعمال خيرية | مبادرات طلابية من بتسلئيل للمساعدة في وضع الطوارئ
Character design & storyboard
Studio
Drawing
Basic design - Form and Color
Ira Eduardovna was born in Uzbekistan and immigrated to Israel at the age of ten. She is a video installation artist and a filmmaker.
Eduardovna’s work reconstructs narratives of autobiographical nature and examines issues of migration and displacement through non-linear story telling.
Eduardovna is the recipient of numerous awards including: New York Foundation for the Arts, New York State Council on the Arts grant for film and electronic media, Gesher Film Fund - for development of a script for a feature film, New Israel Fund for Film and Television script development lab, PAIS Israel Lottery Council Grant for Culture and the Arts, The Ostrovsky Family Fund, Jerome foundation travel and study grant, Artis Exhibition Grant.
Her solo exhibitions include The Israel Museum (Jerusalem, Israel) Chelouche gallery (Tel Aviv, Israel) Loop Video art Fair (Barcelona, Spain), Cuchifritos Gallery NYC, Momenta Art (Brooklyn, NY), FUTURA center for contemporary Art (Prague, Czech Republic) among others.
She participated in residency programs such as Lower Manhattan Cultural Council, Smack Mellon, Art Omi, Futura Center for Contemporary Art in Prague among others. Currently she is an artist in residence at Artport Tel Aviv (2022-2023).
Her video installations are in collections in Israel and abroad including the Israel Museum, The Tel Aviv Museum, Haaretz Collection and private collections.
She taught video and film in undergraduate and graduate programs such as: Parsons The New School NYC, Pratt Institute NYC, Virginia Commonwealth University (Richmond, VA) and School of the museum at Tufts University in Boston.
She holds an MFA from Hunter College, New York since 2012.
Studio
04-9059323
introduction to illustration
Mitra Abbaspour is Haskell Curator of Modern and Contemporary Art at Princeton University Art Museum and a member of the University faculty. Prior to Princeton, she served as an Associate Curator in the Department of Photography at The Museum of Modern Art and an Assistant Curator at the California Museum of Photography, in addition to having served as a guest curator for a number of exhibitions at various institutions.
At Princeton, she has curated or co-curated at the Museum include Helen Frankenthaler Prints: Seven Types of Ambiguity (2019), Frank Stella Unbound: Literature and Printmaking (2018), Making History Visible: Of American Myths and National Heroes (2017).
At MoMA, she led the curatorial branch of an interdisciplinary research initiative that resulted in the print and digital publications Object : Photo: Modern Photographs 1909-1945. She has authored numerous essays on contemporary artists in this field, most recently contributing to monographs of Reza Aramesh, Lalla Essaydi, Dor Guez, Hassan Hajjaj, and Shirin Neshat and has also taught courses both in her specialization, the modern and contemporary Middle East and, general area specializations—Islamic art, modern art, and the history of photography—at The Cooper Union, Hunter College, and Brooklyn College.
Introduction to construction technology and material culture
Pagination